About the Documentary

For more than half a century, India and Pakistan have fought over Kashmir, a lush mountain region nestled in the Himalayas. Dodging artillery fire and escaping rape or torture remains the daily reality of those living in Kashmir, but much of the rest of the world remains uninformed about this bloody conflict that could potentially escalate into a full-scale nuclear war.

In 1947, the British partitioned its colonial property into the separate nations of Pakistan and India. At the time, Kashmir was the only state with a majority Muslim population, but Hindu leadership chose for the region to belong to India — a decision declared invalid by Pakistan. The United Nations called for the Kashmiri people to decide their own future, but years of violence and a relentless diplomatic tug of war have made this impossible. Divisions have gone deep, and wrought deadly results: Since the conflict began, it has claimed more than 40,000 lives by India’s estimate; 80,000 by Pakistan’s.

Though more alike than they are different, Kashmiri Muslims and Kashmiri Hindus remain divided by religious allegiances in the global diaspora. Little information exists to support dialogue between the two groups, and many members of the community have given up hope for peace. The hatred has already begun to trickle down into the minds of the next generation. Project Kashmir was created out of a desire for dialogue between these two divided communities. Filmmakers Senain Kheshgi, a Pakistani American, and Geeta V. Patel, an Indian American, investigate the war in Kashmir and find their friendship tested over deeply rooted political, cultural, and religious biases they never had to face in the U.S.

Guided by an anonymous telephone informer and three brave Kashmiris, the filmmakers navigate the treacherous maze of occupation, insurgency, unrest, censorship, and religious animosity, slowly finding themselves pulled apart by their own identification with opposing factions. Beautifully shot by Academy Award-winner Ross Kauffman, the film captures the stunning beauty of Kashmir, while expertly interweaving deeply moving personal stories of Kashmiris with those of the two American women who strive to reconcile their ethnic and religious heritage with the violence that haunts their homeland.

Project Kashmir explores war between countries and war within oneself, while juxtaposing moving personal stories of Kashmiris who have never known a world without war. For some questions, the film reveals, there is never just one truth.

The Filmmakers

Senain Kheshgi
Senain Kheshgi is a Pakistani American journalist and filmmaker who has produced, written, and directed projects for numerous networks, including CNN, ABC NEWS, PBS, and Discovery, as well as BBC and Channel 4 in the UK. She co-produced her first feature documentary, The First Year, with Academy Award-winning director, Davis Guggenheim (An Inconvenient Truth), which was broadcast on PBS in 2001 and was awarded the prestigious George Foster Peabody Award. In 2008, she directed Kitchen Diplomacy, a film commissioned by Morgan Spurlock’s documentary company, Cinelan.

Geeta V. Patel
Indian American Filmmaker Geeta Patel is a writer and director of documentary and dramatic feature films. She was recently visiting artist in Belarus and Turkey, as one of 29 filmmakers chosen for a new U.S. State Department initiative in the arts. Currently, she is writer/director of a narrative martial arts feature entitled Mouse. Geeta is also director and cinematographer of the romantic comedy documentary film entitled One in a Billion (ITVS/CAAM/PRI), executive produced by Academy Award-winner Geralyn Dreyfous (Born into Brothels).

She began her career as the youngest associate screenwriter in Hollywood. She has worked with Disney, Universal Pictures, Imagine Entertainment, ABC, NBC, and Twentieth Century Fox, including The Fast and the Furious and Blue Crush.

She is a filmmaking advisor for the Center for Asian American Media (CAAM), served on the nomination committee for the Rockefeller Foundation/Renew Media’s Media Art’s Fellowship as well as the International Documentary Association’s DocuWeek and CAAM selection committees. She is a graduate in comparative area studies at Duke University.

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