Women’s wrestling is in the news. In summer 2004, it became an official Olympic sport. But for young women interested in pursuing wrestling, challenges still abound. Girl Wrestler follows a year in the life of Tara Neal, a Texas teenager who rocks the establishment by insisting that girls and boys should be able to wrestle on the same mat.
Girl Wrestler was filmed during a crucial period in Tara’s wrestling career: the last year that she was allowed to wrestle boys under Texas state guidelines. In the United States, only Texas and Hawaii prohibit girls from wrestling boys in high school. Once she entered high school, Tara’s opportunities to compete would disappear. Because so few girls choose to wrestle, and she wouldn’t be allowed to wrestle boys, she would have no one to wrestle with at school. “If they make me stop wrestling boys,” she says, “then I’m not going to get any competition because there aren’t enough girls from Texas that are my age and weight.”
From allegations of referee bias against girl wrestlers to coaches who proclaim their hatred of Title IX—the federal statute that grants women’s athletics proportionality in public schools—Girl Wrestler personalizes the clash of gender and sport and, in particular, the policy debates over Title IX. Tara navigates the same environment of hostility that produced the 2002 lawsuit filed by the National Wrestling Coaches Association against the Department of Education to repeal Title IX.
Over the course of the season, Tara faces off-the-mat challenges that will affect her wrestling career, from her body to her family. While boys who wrestle develop eating disorders on a much larger scale than non-wrestling boys, the pressure and consequences of dietary restrictions for girls who wrestle are perhaps even more significant, as their bodies are rapidly maturing and under such cultural scrutiny. During the course of the film, Tara experiments with fasting and running in the heat in order to lose weight, but eventually makes the healthy decision to accept her natural weight and compete in the corresponding weight class. The documentary also chronicles her relationship with her divorced parents, as Tara struggles with her father’s expectations and her increasing desire to become less dependent on her parents.
Tara’s story becomes a personal prism through which to view such broader cultural issues as the socially accepted views of masculinity and femininity, athleticism and eating disorders, teenage identity, gender discrimination in organized athletics, and the meaning and value of sports in American culture. Ultimately,Girl Wrestler reveals the many challenges and pressures faced by young girls today as they seek to carve out a place in a culture full of conflicting messages about what it means to be a girl.
Update
Filming on GIRL WRESTLER concluded in July 2001. After joining her high school wrestling team and still not being allowed to practice with or wrestle against boys, Tara decided to leave the team. In 2004, Tara and her boyfriend Andrew had a baby daughter. Tara will finish high school in fall 2004, at an alternative school in Austin. She is also taking college level courses at the local community college.
The Filmmaker
Diane Zander An Emmy Award winner for her work on the documentary Moving Stories, Zander makes documentaries while teaching media production at the University of Texas at Austin. Her film and video work has been shown at festivals across North America and has appeared on Image Union, a Chicago PBS showcase for independent film and video. Zander has been honored with grants in support of her work from the Texas Council for the Humanities, Texas Filmmakers’ Production Fund, Women in Film, the Liberace Foundation and the Caucus Foundation for Television Producers, Writers, and Directors. Her previous work includes Pretty as a Picture (1999), Beauty School (1997) and paternity is uncertain (1997). The majority of her film and video work deals with gender and how female identities are constructed and complicated.
Zander served as an associate producer, writer and editor for WTTW/Chicago on Moving Stories and as a video journalist for CNN Headline News. She also has worked on numerous independent productions as a cinematographer, sound recordist and online editor. A summa cum laude graduate of Northwestern University with a degree in radio/television/film, she received her MFA in film and video production at the University of Texas at Austin.
Additional Camera & Sound
Elena Carr
Heather Courtney
Jenn Garrison
Mocha Jean Herrup
Mark Jones
Gerrie McCall
Matt McClung
P.J. Raval
Tim Wilkerson
Additional Sound
Jamie Gluck
Kerry Mecusker
Production Assistance, CA
Sharon Singer
Assistant Editor
Quan Tran
Post-Production Assistance
Sarah Boedeker
Ashley Cook
Haley Johnson
Kerry Mecusker
Hani Shafi
Robert Tatum
Hoa Mai
Post-Production Supervision
Vince Hostak
Online Supervision
Susanne Kraft
Sound Design
Jenn Garrison
Sound Mix
Tom Hammond
Advisors
Janet Staiger
Ellen Spiro
Paul Stekler
Humanities Advisors
Fran Harris
Mary Celeste Kearney
Michael Messner
Jan Todd
Craig Watkins
Fiscal Sponsorship
Women & Their Work
Austin, TX
Publicity
Mary Beltrán
Abby Livingston
Assistant Producer
Lindsay Stillman
Featuring
Megan Agajanian
Eddie Anderson
Joe Boone
James Bounds
The Bryant Family
Margaret Bryant
Neal Bryant
Margaret Bryant
Kai Collins
Trey Cooper
Jason Danielson
Kaylie Danz
Angela and Ty Dennis
Lynette Domer
Dar Evans
James Goshinska
Richard Grey
Frank Halloran
Henry Harmony
Michael Hutchison
Michaela Hutchison
Austin Johlke
Brenda Justice
Rich Kendall
Cissy Kinaid
Leander-Cedar Park Wrestling Club
Amberle Montgomery
Bob Moore
James Neal
Tara Neal
Garth Page
Joan Palmer
Joel Phillips
Archie Randall
J.D. Robbins
Al Rodger
Lance Schilling
Sue Siar
Tiffany Sikes
Brandon Slay
Ken Smith
Darren Snyder
Gary Steffensmeier
Danika Trierweiler
Special thanks to
Gary Abbott
Dennis Bardsley
Mitchell Block
Linda Cavage
Megan Field
Flaherty Seminar 2002
Tamara Ford
Andy Garrison
Ted Gesing
Sandra Guardado
Don Howard
Kelly Kessler
Susan Kirr
Karen Kocher
Sativa January
Jane Jo
The Make Family
Stephen Mason
The Mason Family
Bert Martin
Amber Mattison
Rachel Proctor May
Jim Roman
Sharon Ross
Molly Schayot
Nancy Schiesari
Mark Scott
Jay Shefsky
Tom Skapes
Dan Soles
Sandra Stewart
Allison Supancic
Austin Talley
Heather Van Pursem
Monica Walters
Margaret Wright
Bill Zander
Mary Jo Zander
Thank you so much to Tara Neal, Margaret Bryant, James Neal, and USA Wrestling,
whose cooperation made this documentary possible.
Quote from John Rizzuti appeared in “Wrestling group disbands over female wrestlers’ issue,”
by Chris Newton, Austin American- Statesman, 26 Dec 1996.
Major funding for this program was provided by
The Texas Council for the Humanities,
The Austin Film Society,
The Caucus Foundation for Television Producers, Writers, and Directors,
and the City of Austin Cultural Arts Division through the Austin Arts Commission.
Produced in association with the Independent Television Service (ITVS)
Executive Producer for ITVS Sally Jo Fifer
This program was produced by Diane Zander,
who is solely responsible for its content.