Directed, Written, Produced & Edited by
Gwendolen Cates
Cinematography
Gwendolen Cates
Executive Producer
W. Richard West, Jr.
Producer
Heather Rae
Production Manager
Erika Paige Barnette
Associate Producer
Jessica Bernstein
Project Consultants
James Pepper Henry
Harvey Ray
Assistant Editors
Sara Booth
Emily O’Brien
Additional Editing
Gregory Bayne
Vanessa Reiser Shaw
Katie Mantell
Clearance Coordinator
Kristine Pregot
Additional Writing
Russell Friedenberg
Graphic Design And Titles
Collider, Inc.
Sound Mix and Online
Glue Editing and Design
Music Provided by
“Concerto For Two Solo Pianos”
Composed by Igor Stravinsky
Published by G. Schirmer, Inc. (ASCAP)
Performed by the New York City Ballet Orchestra
“Magic Flute”
Composed by Riccardo Drigo
Performed by School of American Ballet Orchestra
“La Folia: Concerto Grosso”
Composed by Francesco Geminiani
Performed by the New York City Ballet Orchestra
"Ecstatic Orange - Second Movement: Purple"
Composed by Michael Torke
Published by Hendon Music, Inc. (BMI)
Performed by The New York City Ballet Orchestra
"Western Symphony"
Composed By Hershy Kay
Published by Boosey & Hawkes, Inc. (ASCAP)
Performed by The New York City Ballet Orchestra
“Bamboleo”
Written By Antoine Tonino Baliardo, Jahloul Bouchikhi, Simon Diaz, Nicolas Reyes
Published by Barnegat – Music Corp
Sony/Atv Discos Music Publishing, LLC
Performed by the Fania All Stars
Arvo Pärt"Tabula Rasa"
® ECM Records 1984
With kind permission of Universal Edition AG, Wien
Arvo Pärt "Fratres"
® ECM Records 1984
With kind permission of Universal Edition AG, Wien
"Navajo Hoop Dance"
by Laughing Boy
"Navajo, Songs of the Dine," Courtesy Canyon Records
Published by DMG Arizona (ASCAP). All Rights Reserved.
"Stories" performed by Maura O’Connell
Written by Paul Brady
Courtesy of Rykodisc / Rhino Entertainment
By arrangement with Warner Music Group Film and TV Licensing
Original Music
Barney McAll
Archival Footage and Photos Provided by
Steven Caras
Costas
Paul Kolnik
School of American Ballet
David Mcgough/Getty Images
Billy Name/Ovoworks/Getty Images
Santi Visalli, Inc. /Getty Images
Martha Swope
People magazine photo By Dana Fineman
Riverhead Books / Pat Kepic
Virginia Brooks
Robin Leach’s: Talking Food
Scripps Networks, Inc., d/b/a Television Food Network, G.P.
ABC NEWS Archival
Sesame Street
Sesame Workshop New York, New York
Ecstatic Orange
Concerto for two solo pianos
Western Symphony
Dance in America Thirteen/WNET New York
Live From Lincoln Center: New York City Ballet's Diamond Project: Ten Years of New Choreography
© 2002 Lincoln Center for the Performing Arts, Inc.
Live from Lincoln Center: Ray Charles in Concert with the New York City Ballet
© 1989 Lincoln Center for the Performing Arts, Inc.
Live from Lincoln Center: New York City Ballet: A Midsummer Night's Dream
© 1986 Lincoln Center for the Performing Arts, Inc.
“Hit The Road Jack”
(Percy Mayfield)
© Tangerine Music Corporation
Performed by Ray Charles In Concert with the New York City Ballet
Courtesy of Ray Charles Enterprises, Inc.
Under License from the Ray Charles Marketing Group
Photos
Stars and Stripes
Bugaku
Union Jack
Western Symphony
Allegro Brillante
George Balanchine’s The Nutcracker™
Footage
A Midsummer Night’s Dream
Western Symphony
Agon
George Balanchine’s The Nutcracker™
The choreographic rights for performance footage and photographic images have been provided courtesy of The George Balanchine Trust.
All ballets and images Choreography by George Balanchine© The George Balanchine Trust
BALANCHINE is a Trademark of The George Balanchine Trust
Newspaper Articles
New York Post
The Navajo Times
Dance Magazine
The Philadelphia Inquirer
The New York Times Co.
People © 2007 Time Inc. All rights reserved.
Content from "The Advocate" provided by LPI Media
Fiscal Sponsor
New York Foundation for the Arts
Special Thanks
Alyssa Adams
AFTRA
AGMA
John David Allen
Chico Alvarez
Mirian Arias
Melissa Bisagni
Francene Blythe
Amy Bordy
Julie Bowen
Norman Patrick Brown
The Cates Family
Bob Coen
Andre Costantini
Directors Guild
Sara Driver
Felicity Gifford
Marina Gonzalez
Cameron Grant
David Haag
Phillip Hillaire
Mary Little Light Hudetz
Holly Hynes
LOCAL 1 IATSE
Local 802, American Federation of Musicans
Martin Jackson
Jim Jarmusch
KTNN
Paul Lumley
Alan Michelson
Cara Minogue
The Navajo People
New York City Ballet
Brooks Parsons
Mary Perica
Peter Rosenbaum
Mary Six Rupert
Tom Schoff
School of American Ballet
John Sisti
Jay Sonnenberg
Jack Soto
The Soto Family
Spotwelders
Mark Stanley
Ken Tabachnik
Betsy Thompson
Tichafa Tongogara
The Towne Family
John Trudell
Mellor Willie
Annabel Wong
WGA EAST
Funding Provided by
Ford Foundation
Morris & Alma Schapiro Fund
AG Foundation
Louisa Sarofim
Howard Solomon
New York State Council on the Arts
Anne H. Bass
Barry Friedberg and Charlotte Moss
Pittman Family Foundation
Jerome Robbins Foundation
Gillian Attfield
Valerie Diker
Stephen A. Schwarzman
Low Road Foundation
Executive Producer for ITVS
Sally Jo Fifer
Water Flowing Together is a co-production of True Story Pictures, LTD and the Independent Television Service (ITVS), with funding provided by the Corporation for Public Broadcasting.
This program was produced by True Story Pictures, LTD who is solely responsible for its content.
© Copyright 2007, True Story Pictures, LTD. All Rights Reserved
Water Flowing Together
Premiered April 8, 2008
Gwendolen Cates
EXPLORE THE FILM
About the Documentary
Water Flowing Together is an intimate portrait of an important American artist, New York City Ballet’s Jock Soto, one of the most influential modern ballet dancers. Soto graced the stage of the New York State Theater for 24 years, partnering such renowned ballerinas as Heather Watts, Darci Kistler and Wendy Whelan. On the eve of his retirement in 2005, The New York Times wrote: “Ballet is a man called Jock.”
The film introduces Soto when he is 40 and facing the daunting prospect of retiring from the only life he has ever known or desired. While Soto is an artist who found his medium of expression in dance, the film explores more than Soto’s career—it is as much about the complexities of the man, about heritage, family, identity and transition.
Jock Soto was born on the Navajo Indian reservation in 1965, to a Navajo mother and a Puerto Rican father, and raised in a time and place where ballet dancing for boys was virtually unheard of. Following in the footsteps of his mother, he first learned to hoop dance—a complex traditional American Indian dance—which provided an early foundation for his talent. He fell in love with ballet at the age of five after seeing Edward Villella, often cited as America’s most celebrated male dancer, on TV and his surprised but supportive parents began driving him to classes. Soto excelled, eventually becoming one of the last dancers to be personally selected by George Balanchine, founder of the New York City Ballet, to join the company, achieving his dream when he was barely 16. He soon became a child of the New York City arts scene, befriending Andy Warhol, and finding his way as a gay man.
Jock Soto became a force of the New York City Ballet that helped define the identity of the prestigious institution as much as it has defined him for more than two decades. Unprecedented access to the company and New York State Theater provides the audience with a rare glimpse into an unseen world.
In Water Flowing Together (the title is the name of Soto’s Navajo clan), filmmaker Gwendolen Cates follows a contemplative Soto as he prepares for his farewell performance, tries to imagine his future and travels to the Navajo reservation and Puerto Rico to reconnect with his heritage. Soto’s relationship to his heritage is one of both detachment and devotion, defying stereotypes in the same way that his powerful, fluid dancing transcends the expected. Told through the words of Soto, his family and his dance colleagues, the film offers a sensitive and unique insight into the influences and adventures of this fascinating artist, and reveals a man at the crossroads of his life.
Update
Filmmaker Gwendolen Cates provided an update in February 2008 on what Jock Soto has been up to since filming ended:
Jock continues to teach at the School of American Ballet. Now he teaches six days a week, and also travels around the country during the winter to audition young dancers for the school. He and his partner, the chef and sommelier Luis Fuentes, have begun a catering company called Lucky Bassett Events, named after their dog Tristan. Jock also stages ballets on occasion, for example the upcoming “Afternoon of a Faun” for the Royal Ballet in London. He agreed to make briefly return to the stage of the New York State Theater, performing the role of Lord Capulet in Peter Martin’s “Romeo and Juliet” in 2006 and 2007. His sport of choice these days is boxing.
The Filmmaker
Gwendolen Cates
Gwendolen Cates, an award-winning photographer and author, made her filmmaking debut with Water Flowing Together. The film has received three awards to date. Her book Indian Country (Grove Press, 2001) was reviewed as one of the top ten illustrated books of the year by USA Today, and received other critical accolades including being featured on Oprah. Over the course of Cates’s 20-year career her photographs have been published as covers and features in major publications such as Parade, Men’s Journal, Rolling Stone, Vanity Fair, GQ, Sports Illustrated, Entertainment Weekly, Time and People. She has photographed innumerable celebrities and public figures, including George Clooney, Oprah, Sheryl Crow, Halle Berry, Bruce Willis, Robin Williams, Bill Murray and Colin Powell. Her next film is Mourning in the Garden of Eden, about the cultural destruction of Iraq during this war. A native New Yorker who attended the University of Chicago, she resides in Manhattan.