After the Boston ROADSHOW event, the owners share a fascinating letter from a descendent of Lilla Cabot Perry confirming that Edith Agnes Grew is the girl in the painting.
When two sisters came to the Boston ANTIQUES ROADSHOW event in June 2012 with an oil painting of a pretty young girl sitting on a chair holding a doll, they told appraiser Meredith Hilferty, of Rago Arts & Auction Center in Lambertville, New Jersey, that they'd purchased it together for $500 at a sale in 1986. They said their grandmother and parents had always encouraged their fondness for old things and for finding "little treasures" at yard sales. Only girls themselves at the time, they had fallen in love with the painting's subject matter and didn't know that the artist, Lilla Cabot Perry, was well known or of any significance.
Later on they came to understand that the portrait was of very high quality and that Lilla Cabot Perry was an important early-20th-century art figure, both for her own work, and as a friend of Claude Monet and early proponent of French Impressionism in America.
Last November, while checking the background of this story in preparation for airing the appraisal, ROADSHOW contacted the painting's owners again to confirm how they knew for sure that the girl in the picture is Perry's granddaughter, Edith, as they said on-air. In reply, they provided us with a fascinating letter showing correspondence between their family and a Mrs. Elsie Lyon, who was Edith's younger sister. The correspondence is re-printed here for the first time, with the owners' permission.
Letter from M.P. Naud, director of American Art, Hirschl & Adler Galleries, New York, New York, to Cecil B. Lyon, husband of Elsie Lyon, grandaughter of Lilla Cabot Perry and younger sister of Edith**
Letter from Elsie Lyon to M.P. Naud in response to her inquiry about the Lilla Cabot Perry painting
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